In the vibrant underground of Tehran’s music scene, Haag has emerged as a beacon of resilience and innovation. Their second studio EP, Haag The Huge, released digitally on October 25th, represents a bold leap forward for the instrumental rock band. Building on the foundations of their debut release, Buoyancy, this five-track project explores new progressive rock territories, delivering a deeply immersive experience. Through intricate compositions and raw emotional depth, Haag proves that music can speak volumes even without words, crafting a narrative that resonates universally.
Opening the EP is “Alpha Grade,” a radiant track that immediately captures attention with its shimmering guitar riffs and dynamic drum patterns. The composition exudes optimism, combining intricate melodies with bursts of raw power. Amirhossein Rezaei’s guitar work shines, weaving harmonies that soar over a tight rhythm section. Siavash Kamkar’s production is impeccable, allowing each instrument to breathe while creating a sense of vastness. The interplay of bass and drums grounds the piece, while the soaring lead guitar feels like a cosmic call, setting the tone for the journey ahead. The mood shifts dramatically with “Keep Under Wraps,” a darker and more introspective piece. Anchored by a brooding bassline, the track introduces haunting, whisper-like guitar tones that build tension. The arrangement unfolds methodically, leading to a thunderous crescendo of distorted guitars and pounding drums. The band’s progressive rock influences shine through here, evoking comparisons to King Crimson and Tool. Kamkar’s mix is particularly masterful, subtly enhancing the track’s atmospheric depth while maintaining clarity. “Glows in Blue,” pre-released as a single on October 4th, serves as the emotional centerpiece of the EP. Delicate guitar lines shimmer with a sense of wistful beauty, creating a meditative ebb and flow. Rezaei’s expressive phrasing blends seamlessly with the understated rhythm section, producing a hypnotic quality that lingers. The production amplifies its dreamlike aura, making this track a standout that leaves a lasting impression. “Permeable Isolation,” composed by Mohsen Rezaei, ventures into darker, experimental territory. Beginning with a melancholic piano motif, the track gradually layers distorted guitars and pulsating basslines. Jagged drum rhythms drive the escalating tension, resulting in a raw and chaotic yet purposeful structure. The piece explores themes of fragility and disconnection, offering one of the EP’s most emotionally resonant moments. Mohsen’s contribution adds a fresh dynamic to the project, highlighting the band’s willingness to explore uncharted sonic depths.
The EP culminates with its title track, “Haag The Huge,” an electrifying conclusion that encapsulates the band’s identity. Anchored by a relentless guitar riff, the piece builds with soaring solos, pounding drums, and moments of quiet reflection that explode into cathartic climaxes. The pacing is impeccable, balancing intensity with moments of respite. Sakis Anastapoulos’ mastering ensures that every note hits with precision and power, leaving listeners exhilarated and eager for more. Recorded at Sia Studios and Zavoush Studio, and mastered by the Greek maestro Sakis Anastapoulos, Haag The Huge exemplifies the band’s relentless pursuit of artistic excellence. The EP’s production marries clarity with raw emotion, making it a standout contribution to the global progressive rock landscape. Haag’s ability to craft instrumental narratives that transcend language and geography solidifies their unique position in the Iranian rock scene. With Haag The Huge, Haag offers more than music—they share a story of creativity, perseverance, and boundless ambition. This EP is not just a collection of tracks but a declaration that artistry knows no limits, even in the face of adversity. It’s a bold statement from a band unafraid to push boundaries, inviting listeners to embark on an unforgettable journey.